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Alternate Ending

Alternate Ending was formed when three friends realized that they all shared a passion for movies. Tim had been reviewing films at his old blog Antagony & Ecstasy for over a decade, and Rob & Carrie had found great success with their year-old podcast, when they all decided to combine forces to create a new site, dedicated to their desire to watch and discuss the best (and worst) that cinema has to offer. The result is the website you see before you. What makes Alternate Ending different from all the other film sites on the internet? Well, we humbly suggest that it's the three of us: very different people with very different thoughts about the movie. Too many film sites cater to the same kind of audience, with one overwhelming voice in the writing, but what we treasure at Alternate Ending is diversity: diversity of opinion, diversity in belief about what film should do and how it should do it. We want to celebrate our different opinions, and celebrate yours as well. This isn't a site for people who just want to talk about the latest hot new movies in theaters right this minute. This is a site for people who can't get to the theater until the third week a film is out; a site for people who just want to find something great to stream online after the kids have gone to sleep, a site for people whose favorite pastime is to grab a bunch of classic films on DVD from the library and watch them all weekend. It's a site that believes that every great movie is a wonderful new treasure, whether you see it the night of its premiere or fifty years later. It's a site about discovering good movies, one bad movie at a time.
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Now displaying: Page 1
Feb 9, 2021

Jockey didn’t make my most anticipated list of Sundance, because frankly, horse movies usually depress me.  The horse always gets injured or dies or gets injured and then dies and who amongst us really needs that kind of heartbreak right now?

Well shame on me for judging

In a surprising turn, I don’t even really remember much about a horse in Jockey.  I mean, there definitely is a horse and there is definitely horse racing but the tragedy is wrapped up in the self-destructive addiction to a profession, which he believes gives him purpose.  In so many ways it’s reminiscent of Sound of Metal, in that you’ll be tightly clenching your teeth and yelling “JUST STOP” with exasperation, for most of the film.

A bit more about Jockey from the festival program

Seasoned horse jockey Jackson (Clifton Collins Jr.) has weathered decades of races on the riding circuit, but he now finds himself facing what could be his last season as his health deteriorates. With the help of Ruth (Molly Parker) and a promising new horse, Jackson starts to prepare for the upcoming championship. His plans take a left turn when a budding young jockey (Moisés Arias) shows up and claims to be his son. Caught between yearning for a connection and uncertainty about his own future, Jackson confronts difficult questions regarding his legacy.

Jockey with Clifton Collins Jr

Shot at a live racetrack and with a keen eye for veracity, Jockey gives us an achingly personal window into a world we’ve never seen up close before, where fortunes are flipped upside down from one moment to the next and the freedom of riding comes at a grueling physical price. Collins delivers an intimately layered performance guided by director Clint Bentley, whose own experiences imbue authenticity and naturalism into this moving portrait of a sport unlike any other.

Clifton Collins Jr. undoubtedly gives an outstanding performance that earned him the U.S. Dramatic Special Jury Award for Best Actor.  Personally, I thought that Moisés Arias’ (who you might remember as the best part of Five Feet Apart) performance was really great, as well.

About the interview with the cast from Jockey

We had a link to a panel conversation following the movie, which usually are the cast on a ZOOM link with a moderator asking questions.  It was 8pm, so I jumped up to put our kiddos to bed and Rob decided to pop in to check out the conversation (from bed, in his nighty shirt).  When I came back 20 minutes later, Rob was nowhere to be found.  He did emerge finally from the basement (after I had dealt with 30 minutes of the kids demanding water and snacks and other absurd things). The story goes, that when Rob joined the ZOOM, he was one of 4 other press members and Clifton asked why “this Rob Jarosinski guy wasn’t joining on the video.” Which triggered a frantic search for a hat and a race to the basement to plug in and record.

So please enjoy this unique episode with Clifton Collins Jr., Clint Bentley and Greg Kwedar!

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Tim LetterboxdRob LetterboxdCarrie Letterboxd

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